Archives For Joseph Pilates

I often think that becoming a Pilates teacher is like learning to drive (though it’s a different driving test now than the one I experienced in the 1990s) – you learn the manual, practice the tricky stuff, hopefully pass the test and then, once you’re on your own, you actually learn how to drive.

Many things helped me to develop as a teacher in the first few years: classes with teachers I admired, teaching within the same space as more experienced teachers, workshops and, of course, teaching classes myself. I belonged to an organisation that ran workshops. Many of the workshops followed the theme of ‘enhancing your mat classes with (insert name of small prop of your choice)’, and these were useful at first. When teaching a lot of mat classes more repertoire seemed like a good way to keep people interested. Teachers from the US were often invited to give workshops at the AGM, and a number of these were very influential for me. I think they helped me to be a better teacher, by enhancing my understanding of Pilates.

I know that I’m not alone in finding that, with accumulated experience, workshops offering new repertoire are of no interest. Similarly, another Pilates teachers take on specific elements of Pilates, or the special tool they’ve developed for teaching a shape or movement are much less interesting than they were. I certainly appreciate reminders of, or insight into, for example why the original order of the network is the way it is but, beyond that, I don’t find that doing Pilates teaches me more about doing Pilates. Most importantly, it doesn’t necessarily help me to be a better teacher.

What to do? For the last 3 or 4 years, most of the professional development that my wife and I have done has been outside the Pilates world but within the broader sphere of ‘movement culture’. I’ve written about this a fair amount already so suffice it to say that we’ve both learned a lot about movement and, therefore, teaching Pilates from people who typically have little understanding of what Pilates is (we’ve encountered the misconception that we’re all about pulling stomachs in a few times…).

I’ve learned about teaching Pilates (being the kind of Pilates teacher that I want to be) from all sorts of teachers: Ido Portal, Rafe Kelly and Andreo Spina to name a few.

We’ve been very lucky to work with some of the people that we have and, for me, none more so than Tomislav English, whom we did a workshop with at the beginning of this year. Based on a brief conversation, I think his concept of Pilates is a bit ‘off’, yet I keep thinking to myself that he’s the best Pilates teacher (with the exception of my wife) that I’ve met in a long time. Weird, eh? He doesn’t really understand Pilates (as far as I could tell) but he teaches it really well!

How could this be? The way that Tomislav teaches seems to me to embody Pilates’ intentions. He began the four days by making it clear that, although it was advertised for ‘advanced movers’, no-one had been turned down from attending, on the basis that full commitment was expected. There’s a lot of movement, and not a lot of talking – demonstration with instructions, a check that it’s clear and then practice – clarification following if necessary – overall his teaching is uncomplicated. There’s a lot of control required, but it’s not control of stillness (which seems to often be the desirable thing in Pilates classes, and seems to have little ‘real-world’ transfer) but control of EVERY aspect and moment of the movement – range of motion under conscious control. Smooth movement at an even tempo, that can be paused or reversed at any point.

The language that he used has influenced my teaching, too. Again, he was quite spare with his words, and would often categorise someone’s demonstration as either ‘clear’ or ‘unclear’, which translates to me into how I’m watching when I’m teaching. Can I see clearly how someone is moving? If the movement stems from the hip, do I see their hip joint moving, or is it a bit blurred? When joints are maintained in good positions (congruent, if you like) movement has greater clarity. Greater precision, we might say, as Pilates teachers.

It’s worth mentioning too that we paid only £15 more for 4 full days with Tomislav than the price of four hours with a teacher from the US that I’ve just seen advertised.

I don’t want to suggest that I have nothing to learn from other Pilates teachers, far from it (Benjamin Degenhardt deserves an honourable mention here), but my teaching – eye, understanding, vocabulary etc. – has been hugely enriched by fishing in a much larger learning pond.

Since I first wrote this post I’ve been able to put together a weekend of workshops, under the title of MovingBeings Jamboree, on September 8th, 9th and 10th (2017), in London. Full details are here. If any of what I’ve described above sounds appealing to you, then this event is for YOU. I hope to see you there.

 

*Perhaps ‘better Pilates teacher’ needs defining. I’m not interested in teaching people to become proficient at performing repertoire, or even excellent at performing it, unless this is an expression of enhanced awareness, range of movement, and understanding of how to organise their joints well. So being a better Pilates teacher, to me, means having the insight and tools to help people achieve those things. Not having a greater variety of exercises in my toolbox.

My only qualification for writing this is my Y chromosome, there may well be influence of my own neurotransmitter preferences on my views, so while this is written as if I’m speaking for my gender as a whole, please note that different viewpoints may be available.

DON’T

Infantilise me. Babies and toddlers might have ‘tummies’ (perhaps some postpartum women might), but I do NOT have a tummy, or tummy muscles, and I won’t feel that I’m in the right place if you imply that I do.

Teach me to engage my pelvic floor. (Unless I’ve specifically told you that’s what I’m looking for) It works fine, thank you. And if you ask me to think about walking into the sea, or another body of cold water, I’m likely to think of shrinkage – not what I’m looking for in my exercise class (especially if I’m already wondering how manly the class is).

Use my bra strap as a reference point. I’m not wearing one. Yes, I do know roughly where you mean, but you’re reminding me that I’m doing women’s exercise, thanks.

Make me feel ‘special’ by relentlessly focusing on what I’m struggling with. Ok, I’m not great at some of this, but I don’t enjoy feeling incompetent. My ego is fragile. Maybe, if I need it, take me aside after class and show me one thing that might help.

 

DO

Give me some purpose. Don’t assume that I know why I’m doing this movement. How will it benefit me? Maybe not with every exercise, but a few times each class.

Give me some rules. I like rules – they give me clarity. When I’m doing exercise X I know that the rule is my arms should always be in position Y…. It’s like having a manual in my head.

Give me measurements. How will I recognise if I’m doing it right, or not? Like a checklist, perhaps: Are my shoulders off the floor? √ Is the bottom of my ribcage down on the floor? √ Are my legs in the air? √ Are my elbows straight? √ Etc.

Give me something to aim for. Maybe show me something that’s beyond me at the moment, and then give me an idea of what I need to do to achieve it.

Drop some science on me. I’m not the biggest fan of science as the answer to everything, but if you let me know that the ability to perform an isolated hip hinge is well correlated with reduced risk of back and knee injuries, for example, I might feel more like I’ve come to the right place.

Relate the exercises to stuff that I like. Let me know how it’s going to apply to my martial art/tennis/deadlifting/football…. (this may mean doing some research into the requirements of these activities)

Allow me the opportunity to do something well. Maybe I don’t cope very well with fluid choreography, for example. (As I mentioned above, my ego is fragile). Throw in something which plays to my strength/s, so I have something to feel good about.

 

THANK YOU.

8219041This is part review (I hope it’s helpful), and partly and attempt for me to analyse why I felt so frustrated and, ultimately, irritated by watching “A Movement of Movement’.

It’s a long film, 73 minutes to be precise. I note that, via Facebook, Siri Dharma Galliano (never short of a pithy remark), who participates in the film, suggests that it could be edited to a “tight thirty minutes”. I found myself wondering why we were seeing footage of the nice lady getting her child and buggy into a taxi, for example. Maybe this is showing ‘real’, or ordinary people who do/teach Pilates.

Everyone involved plays nicely – there’s a little bit of ‘why can’t we all just get along?’ but there’s no name-calling (or foul language)

It’s a great marketing opportunity for Balanced Body, and the Pilates Method Alliance. (And the claim that whether you use traditional or modern apparatus makes no difference goes unchallenged.)

It’s quite a lot longer than it needs to be. I think I may have already touched on that. Apologies.

It is nice to see lots of footage of JP, especially the multi-screen bits of him strutting his stuff in the Catskills.

There are some confusing messages:

It seems to be broadly agreed that there are a number of ways of doing the exercises (so there’s no single correct way) but there’s also a warning that, without a teacher to show you how to do the exercises “correctly”, you could hurt yourself.

Shortly after one of the interviewees declares that Joseph was so sickly as a child that he nearly died, there’s reference to him spending a lot of time as a child lying in the woods watching animals. I know that ‘he was a very ill child but knuckled down and healed himself and became a paragon of health and fitness’ is a good story, but my understanding is that there’s no evidence to support the sickly-child mythology. (And this was the man who wrote “I must be right. Never an aspirin. Never injured a day in my life.”)

There are some inspiring stories. Sadly, they get swamped by lots of footage of interviewees practicing Pilates (and some other movements that look a bit like Pilates).

The film seems to be supportive of the 1990s lawsuit outcome – it is a good thing that ‘Pilates’ is now a generic term. There is no dissenting voice.

From watching the film I couldn’t work out what the filmmakers intentions were – what the purpose of the film was. It doesn’t seem to be intended as a pure celebration of the work of Joseph Pilates, nor is it a biographical work. I did some research and read that the directors intention was to create a film that does for Pilates what ‘The Endless Summer’ did for surfing, or ‘Dogtown and the Z-Boys’ did for skating. To quote the website:

The one thing that all of these films have in common is a compelling story about something that came along and changed the world forever.  Pilates has changed the world.  We are living in a historical movement, a phenomenon of human experience.  The movement is about us, it’s about today, and it’s about exploring our full potential, but what does that mean? That is what A Movement of Movement is.”

Unfortunately I don’t think that their own question (“..but what does this mean?”) is answered by the film. Perhaps part of the problem is that surfing, skating and other sports are quite different from Pilates. My understanding is that Joseph meant Pilates to be the practice that helped you be better at the things you love to do – surfing, skating, skiing, you name it. It’s not meant to be your favourite pastime or activity – if it is, maybe you missed the point. And I think that’s where the film falls down – it’s misunderstood its subject matter.

If you believe that:

the outcome of that (in)famous lawsuit was 100% positive;

that Pilates apparatus evolves and new apparatus should be added;

that there are many different versions of a given exercise, all equally valid;

there are no dissenting voices to these views;

And you enjoy watching people practicing Pilates on a terrace while the sun goes down and the sea softly laps on the shore – this is the film for you. I hope you enjoy it.

(As I said above, frustrated and irritated….)

images

Or: ‘Should your Pilates teacher be able to do a pull up?’

(If you’re time-poor, or just don’t have the patience to read all that follows, the answer is: Yes, they should.)

Hopefully we can all agree that Pilates, the movement practice, as conceived by the man himself, is about health. The integration of mind, body and spirit (if our thinking is reductionist enough to conceive of them as separate in the first place). What does a healthy body look/feel like? Depending upon our starting point with Pilates, it might be a pain-free body. That’s a great beginning for a lot of us, but is it healthy?

If a body isn’t able to express the full available range of movement in all its joints, is it healthy? Not yet. Is a body that’s able to express the full range of movement without strength (control, you might say) through that range, is it healthy? Not really. Perhaps this scenario is even more problematic than the first one.

What is Pilates good for if it is not carrying you along the arc toward expressing your joints’ full range of movement, with control? If it is not helping you to become stronger, why are you bothering? Real suppleness and agility is a product of strength – the flexible spine that Joseph Pilates held up as a marker of ‘real’ age (I’d prefer to classify as mobile) is a product of motion at each of the joints coupled with strength.

As Jaap van der Wal says “You do not have a body, you are a body.” Isn’t it a basic human capacity to be able to move your mass through space? A pull up, or chin up (pronated or supinated grip) is an expression of the ability to manipulate your mass in space. And in certain circumstances that capacity could be a huge factor in survival. The capacity to pull up will make you more human.

Perhaps my arguments haven’t been sufficiently persuasive, and it still seems unreasonable to expect your Pilates teacher (or yourself) to be able to do a pull up. In that case, how about a push-up? Should you/your Pilates teacher be able to do a push-up? Without equivocation the answer is “Yes, absolutely.” How about 5 push-ups? Maybe check how many repetitions Joseph prescribes in Return to Life. If you’ve ticked that box then maybe we can debate the pull-ups.

 

Afterword

What are your goals, or your clients’ goals, when practicing Pilates?
‘Pain free’ almost certainly incorporates ‘stronger’. ‘More toned’ definitely means ‘stronger’. ‘More supple’ had better mean ‘stronger’. You get the picture.

Your words DO matter!

August 4, 2016 — 1 Comment

A while ago I posted an article whose title asked Pilates teachers not to use the word “core”. Setting aside the appropriateness or otherwise of someone with no status in the Pilates world making such requests, I found some of the responses very interesting.

“Meh…core, powerhouse, whatever. They are just words, some work better with some clients than others.”

“Semantics are over-rated. As long as you can get your client to understand & move from the right places, you can use any words in existence. (or make up your own, who cares!)”

“I’m sick of semantics.”

More significant events in the wider world have also caused me to reflect on the significance of the vocabulary we choose to adopt. The news in the UK this morning was dominated by a knife attack in which one person was killed, and four other seriously injured. Reports focused on motivation – mental illness was referred to, but police weren’t ruling out the possibility of terrorism. I’m sure it was terrifying for the people caught up in it but, to me, labelling an attack like this as terrorism is redundant, except to make the population at large more fearful. You can easily find the statistics of how many people are killed in car-crashes, compared to the number killed in ‘terror’ attacks. Car crashes are significantly far more significant but our choice of words, or the media’s choice of words has a powerful impact on how we think and feel. I bet that the average Londoner feels more at risk of a terror attack than a car-crash – and that is a product of language creating fear.

In the same way that we may be manipulated, if not controlled, as a society, we might also manipulate the people that we teach by our use of words. The outcome won’t be a life or death situation but I believe I’ve met people who’s self-belief has been affected for years by the way that Pilates teachers and/or physical therapists have spoken to them.

Some people may be motivated by the thought that their “core is weak”, or their “glutes are weak”, or that their posture “is terrible”. Fine. But what of the people for whom this sort of language reinforces their sense that they have failed, or that (worse, perhaps) these are things that are beyond their control? For example, if I’m told that my glutes are weak, and them becoming weak has been beyond my control, might I not feel that I am not in control of how my body behaves? And thus powerless to help myself?

Anyone who teaches in the studio that my wife and I run is vigorously discouraged from using words like ‘hurt’, ‘painful’, ‘damage’, ‘dangerous’, ‘protect’. We now know that pain is a response to inputs to our nervous system, once our brain has filtered the inputs through its vast library of previous experiences – felt, seen, heard etc. If someone is told that, for example, they must “protect their spine” while doing an exercise, and they then feel an unfamiliar sensation in their back, how easy will it be for them to feel that they must have failed to protect their spine? And what might the consequences be for an unprotected spine? It sounds as though they might be rather fragile – is it safe for them to do normal activities outside their Pilates class if they’re so bad at protecting their spine?

Maslow’s hierarchy of needs provides a very useful model for teaching anything, not least Pilates. In our studio the goal for any student (I’m trying to break the habit of saying ‘client’) is self-actualisation – the fulfilment of potential – and I imagine and hope that this is true throughout the Pilates world.

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Maslow’s Hierarchy of Needs

Esteem could be interchangeable with self-belief, which I would interpret as ’empowerment’. Our job is to empower our students in order that they can achieve their potential – we cannot achieve it for them. The words that we choose are critical for student empowerment.

When teaching, do you ever say “I want you to…”? I know how easy it is to do, but what has what I want got to do with it? It’s not about my experience – it’s about the student’s experience!

If you give instructions throughout the course of every repetition, does the student ever feel that they can do the movement alone? More importantly, does my choice of words make my student feel that they need me with them in order to do something well? If that’s the case, then self-actualisation will be very hard to achieve. If a student says that they don’t want to be taught by anyone else (rare, but it does happen), then I will have to reflect on what about my behaviour, and most likely the language that I’ve used, has led them to this disempowered conclusion. To me, creating this belief in a student might be a financial success, but is a teaching failure.

Another respondent to the ‘core’ article I wrote before said “Sometimes I think teachers over-think too much.” I agree, I’m sure that I might over-think but I would prefer to do that than to under-think. Especially as someone who is trying to be a teacher of movement. By being thoughtful about the words that I use (and intonation, rhythm etc), perhaps I can help my students to not over-think the movement.

To imagine that language is simple, or that words only ever mean what you intend them to is, at best, naive and, at worst, irresponsible.

 

“Motion is Primary”

June 16, 2016 — 1 Comment

More thoughts on Evolve Move Play,

inspired by an interview with Jaap Van der Wal.

I love it when two apparently distinct activities or experiences in my life seem to converge into a coherent whole. It seems to happen so frequently that, even though it’s all under the umbrella of Movement, it might be evidence of a subconscious communication (‘morphic resonance’, anyone?) Very often it reinforces or I learn something new about teaching Pilates, or movement generally.

Five years ago I was lucky enough to attend a lecture by Dr Van der Wal (“Not by muscles and ligaments alone: The importance of fascial architecture for understanding the locomotion system”). My interpretation of the content was much simpler than the title, and it transformed my view of anatomy completely – from the mechanistic view that I’d first been taught, to what I now recognise as a “process” view of anatomy.

This morning, the day after writing about Rafe Kelly’s ‘Evolve Move Play Movement Experience’, I was listening to an interview with Jaap, and everything started to feel connected.

Based on his study of human embryos, Jaap says “Motion is primary, form is secondary.” We move before we have a brain, apparently. Much as I enjoyed the Daniel Wolpert’s TED talk, I’m drawn to Jaap’s assertion that the brain is our organ of awareness, not of control. How else do you explain the reality of movement before we have a brain?

As I was listening to the interview I was reminded of Rafe talking about excessive verbal coaching lighting up our cognitive brain and thereby drawing focus away from the sub-cognitive part of our brain, which controls movement. We probably all know this already – thinking too much constipates movement. Rafe also talked about crawling, and the common phenomenon of adults adopting an ipsilateral pattern when trying to crawl (I’ve seen this many times in gyms and studios). His experience is that if you ask someone to crawl along the branch of a tree they never adopt an ipsilateral pattern – the conclusion being that a natural environment stimulates natural movement patterns. Motion is primary. Our bodies understand how to move if we provide the right environment.

How does this inform my Pilates teaching? While I won’t be teaching Pilates in trees, it reinforces my belief that the apparatus teaches, by providing an environment (much less daunting for some than the great outdoors) in which our bodies know how to move. It’s not about muscles, it’s about movement.

There’s more of a theme, too, when I think of the play-fighting we did with Rafe, and the film of Pilates (outdoors) wrestling with his friends. I think we can better understand Pilates, and teaching Pilates, by learning from a wide variety of sources.

 

stock-photo-8692744-apple-coreUnless you’re referring to apples, or microchips.

I was listening to Eyal Lederman discussing his article “The Myth of Core Stability” yesterday. I have taken issue with his article before now, for various reasons, not least because the article is essentially rubbishing something which Dr Lederman fails to define – without a clear definition, rubbishing the concept becomes rather easy. Now, however, it occurs to me that the underlying trouble is that no-one can define ‘core’, as it relates to human anatomy, in a way that will receive broad agreement.

Try an internet search for a definition. The core is the trunk. The core is the transverse abdominis, deep multifidi, pelvic floor and diaphragm. There is an upper core and a lower core. The core is the trans abs, obliques and lower paraspinals. There’s a front core and a back core. The core is from the neck to the knees. (For extra fun, try a search for ‘weak core’ – eye-opening stuff, to be sure).

Core is something that goes to work before we move, right? The nervous system sends a message to the core to tell it to stiffen prior to moving our limbs, and that way we don’t destabilise our lower backs – isn’t that how we work? And this happens in fractions of milliseconds. Maybe we ‘know’ this because EMG studies have been done that show the order of firing of muscles yet, as Dr Lederman points out, to get an accurate picture of what happens you would need to have an EMG for every muscle, for every movement, to really see what happens (and then you’d only be seeing what happens in that single subject). This would also assume that what we learn from anatomy books about the location and role of muscles is not only universal but also exactly accurate, and not simply a means of dis-integrating an integrated system.

Pilates, as I understand it, is about whole body movement. And with good reason – there are very few movements that are not whole body. You can lift you arm without moving anything else, but that doesn’t mean that the rest of your body doesn’t respond. Pilates is a holistic practice because movement is a holistic practice, even when you attempt to isolate joints or muscles. To paraphrase Ido Portal, when you tug on a shirt, you tug on the whole shirt. Our whole body responds to movement, as an integrated organism.

The idea of core relies on the belief that muscles are laid down in layers, from the skeleton outward to the skin. ‘Like the layers of an onion’, as one explanation of ‘core’ offered. This sounds like a mechanism, not the model of an integrated biological system. We are animals (however much we may desire to elevate ourselves above such lowly status) and we don’t move in the way that a mechanism that we could build would move.

What if (and I strongly believe this to be the case) your brain knows how to move your body far better than any externally derived input, and your belief in core activation actually inhibits your natural functioning? Did you manage without a core before you knew you might have one? If you have been injured, did you know about your core before or after the injury? Did your discovery of a core influence your injury recovery? Has anyone recovered from injury without discovering they may have a core?

To use the word ‘core’ in relation to movement, exercise, or health feeds a picture of a hierarchy and/or layering of muscles which, if out of order, will lead to almost certain dysfunction. We are animals. All things being well we move as animals do, as whole beings. What is the level of movement dysfunction amongst other mammals? Do they show signs of missing core exercises, of having poor core control? (What would you suggest if they did?)

Core is anti-Pilates. It is a term that I hear most from people who are describing their own inadequacies or failings, as told to them by either media or medical professional. The prescription, I would respectfully suggest, is more likely to be ‘more varied movement’, or ‘move with an awareness of the ground and your environment’ as it is ‘practice engaging your core’. Just as walking down the street ‘engaging your core’ will create constipated movement and breathing patterns, so will practicing Pilates as if it requires ‘core activation’.

What to say if you’re banned from saying ‘core’? Could this be a good moment to focus on the outcome (the movement, that is) that we want for our students/clients? Instead of an internal cue, what would be an externally oriented cue?

Thank you, as ever, for reading.

I wonder if anyone would argue that there is a better way to train to be a Pilates teacher than to serve an apprenticeship under an experienced teacher within a Pilates studio. I imagine that modular training courses exist not because they have the best outcomes but rather because they make economic sense. I’m sure that many people who are interested in becoming teachers are not able to commit the time to an apprenticeship so it is simply pragmatic to design modular courses, particularly if you are in the business of commercialising Pilates education. I’m also fairly sure that most studios offering apprenticeships would agree that it’s not something you do for the money.

I’m inclined to call this phenomenon of highly commercialised teacher training the industrialisation of Pilates. It’s a conundrum because, just like the outcome of the in/famous lawsuit, it helps to bring Pilates to a wider audience (which all teachers can profit from) and, I believe, it corrupts the original work.

Training manuals seem to me to be emblematic of this industrialisation, not least because they’re an inevitable consequence of highly commercialised training. If you’re not going to spend many months in a studio, learning how the repertoire feels in your own body, and shadowing an experienced teacher to learn how they teach that innate understanding to others then you will probably need to have a manual to remind you what the exercises are and how to teach them.

I’m not going to pretend that my training was the best but I was lucky that I was given a manual that consisted of exercise names, perhaps a picture or two, and a lot of blank paper. I had to write my own manual based on my experience and understanding of the work.

Modular means breaking up the Pilates system into blocks that can be conveniently delivered. Joseph was clear in ‘Return to Life’ that Contrology is a system and it would seem glaringly obvious that you can’t teach a system in distinct segments. No surprise that exercises get added (‘Supine Arm Work’ on the Reformer, 12 pages for variations of Teaser on the Reformer), or that exercises get divided into blocks (‘Abdominal Work’, ‘Hip Work’ etc.)

Looking at the manuals from 3 major training corporations (all of whom manufacture apparatus, which is a whole other can of worms – how much are the exercises tweaked to fit the apparatus?) it is clear that they are meant to teach the reader how to teach the exercises and, perhaps inevitably, the result is that the exercises are reduced to a mechanical explanation. (I’m sure that the publishers have to be careful about the language they use, to serve the broadest range of learning styles possible, and to adhere to evidence based descriptions/assertions.) It’s also clear from his writing that Joseph Pilates didn’t have a mechanistic approach, so to have a manual that presents a mechanistic approach to his exercises seems to me antithetical to the practice and teaching of Pilates.

I am fond of quoting anatomist Jaap van der Wal: “Brains know nothing about the muscles”. In the exercise instructions in ‘Return to Life’ Joseph Pilates barely refers to muscles at all – why would he need to? If the environment is right for you, the exercise will teach itself, just as a traditional reformer will teach you the exercise. Pilates is a movement discipline, not a muscle activation technique – and our students’ brains and bodies are smarter than we are. If we create the right environment, if the inputs that our students’ systems are receiving are appropriate, then their bodies will do the right thing. And to recognise how to do this fora variety of students is the stuff of apprentice learning, not the kind of understanding that you might gain from a manual.

If you can do the exercise correctly, you don’t need to be concerned AT ALL with which muscles are working. However, if you teach an exercise from the perspective of muscle activation, or as if its purpose is to address specific muscles (as these manuals state) you’re treating your student’s body as a machine rather than an organism, and more than likely a two-dimensional machine – if it’s an exercise that involves hip flexion then it must be for strengthening hip flexors – right? NO! Pilates is about health, about moving well, but to keep repeating the same purpose for each exercise (We know from Romana that Joseph would have said “It’s for the body!”) might not seem like good value for the money you’ve paid for your manual.

On the whole it’s a good thing that Pilates reaches a wide audience, so industrialisation does have some positives. I’m sure there are many excellent teachers who have come through modular training, and I suspect that, if they are excellent Pilates teachers, they will have taken their learning well beyond the modules. I hope that any teachers reading this would agree that being certified or accredited as a Pilates teacher is a bit like learning to drive – it is the very beginning of a process of learning that will very likely go on for a long as you teach – so let’s not abolish modular training. But let’s recognise that modules and manuals will probably not “help make you one of the best educated Pilates instructors on the planet.” (http://www.merrithew.com/shop/education-materials).

 

This article first appeared (with some edits) in PilatesIntel (http://www.pilatesintel.com), and I’m grateful to Brett Miller for suggesting a far superior title to the one I had first.

Or, (very long subtitle) the niggle in your back/shoulder/hip/neck/ankle etc. wasn’t caused by something you did – it was caused by everything that you do.

Or, no-one can fix you, except you.

humancar

It might be tempting to think that my body is a lot like my car – I put fuel in my car and use it to get from A to B, and I put fuel in my body and use it to move from A to B, amongst other things, as well. When a warning light came on in my car recently, I took it to the garage for diagnostics and repair. It turned out that the catalytic converter had reached the end of its life and needed replacing.

Last year a warning light came on in my body, that’s to say, my knee started to hurt and wouldn’t straighten fully. I took it for diagnostics and it turned out that it needed (surgical) repair. Here’s the crucial difference – my knee joint hadn’t reached the end of its life, I’d simply not been using it as well as I might have done. And I don’t know when that happened. I may have been using it poorly for 2 years, or 20 years. I’ve done more sitting in the last few years that we’ve had a studio and I’ve been a manager as well as a teacher, and I used to run relatively high mileage with no understanding of good running technique around 17/18 years ago. Either or both of these things could have contributed but really my knee problem was probably a result of everything I have (and haven’t) done for decades.

I can drive too fast, take speed-bumps too hard, ride the brakes or the clutch and cause components of my car to wear out faster than they should. Then, if I’ve got the money, I can get those parts replaced and carry on as before. There’s no harm done, except to my wallet. I won’t have changed the structure of the chassis, nor altered the way that it processes fuel and oil, there won’t be scars left where parts have been replaced.

My body, however, is an organic, dynamic (on a good day) system. It’s continually responding and adapting to its environment.

en+vi+ron+ment: Ecology. the external surroundings in which a plant or animal lives, which tend to influence its development and behaviour. (We might simplify this to place and time).

Somehow environment isn’t a broad enough term – I like to think of inputs instead/as well.

in+put: Computer technol. a. the data fed into a computer from a peripheral device. b. the devices and operations involved in transferring the data.

In human terms there are some very obvious inputs, like oxygen, water and food. There are visual, auditory, olfactory and thermal inputs. There is the, largely, unfelt input of gravity. There are inputs of light, in addition to visual inputs – daylight, dusk etc. There are the inputs from my emotional response to place or time. And, with a significant nod to Katy Bowman, there are inputs of forces, or loads constantly being applied to our body, whether we are in motion or static. Even asleep, the surface you are sleeping on is a load on your body, and we are constantly adapting to our environment/inputs.

Current pain research also tells us that our memories of past experiences and stories we have heard also act, if not as an input, then as a filter through which certain inputs are passed. So they will influence the way we respond to those inputs. (Am I making the case for our bodies being quite different from cars yet?)

To paraphrase Katy Bowman, “No-one is ‘out of shape’. Everyone is exactly the shape that their inputs have caused their body to adapt to.” We are the product of everything that we do. And to paraphrase Kelly Starrett, “We do not randomly break”. If my knee cartilage wears out, it’s not because I carry the weak knee cartilage gene, its because of how I’ve used (misused) my knee. We could argue that there’s some luck involved, inasmuch as I may not have known I was abusing my knee, but I’m still responsible.

When the catalytic converter was replaced in my car, my car was fixed. End of story. On the other hand, the excellent surgeon, who trimmed my torn meniscus, did not fix my knee. He did the work necessary to allow me to fix my knee (if we can truly say ‘fixed’ in relation to bodies/body parts). Unfortunately, the Western model of health supports the idea that your doctor fixes you, strongly reinforced by the pharmaceutical industry. The chiropractor/osteopath/physiotherapist/Pilates teacher that helps you with your problem does not fix you – they help you to fix yourself. The magic comes from your own body, and your own nervous system. There is no external magic, however good your favourite therapist/teacher may be. THERE IS NO EXTERNAL MAGIC, THE MAGIC HAPPENS INSIDE YOU (perhaps with the guidance of your therapist or teacher).

You cannot take your body to someone else to get it fixed, you have to fix it yourself.

 

 

Pilates Is So Limiting

March 11, 2016 — 1 Comment

AND THAT’S WHAT SETS US FREE!

My degree is in fine art, and all the work I produced as a student was three dimensional. I was never great at drawing, and rubbish at painting. Perhaps that was behind my open disdain for painting, on the basis that (usually) before you’ve put brush to canvas you’ve already determined the size of the painting. Not only that, you’ve decided to make a two-dimensional piece of work. I found this to be very restrictive, or self-limiting.

My exposure in the last couple of years to other movement disciplines, especially some of the MovNat/Ido Portal locomotion work, and learning basic breakdancing moves, started to make me think that a mat to exercise on is a rather self-limiting device – ‘I want to be free to express my physicality wherever it may take me’ – that sort of thing.

A couple of changes at our studio made me reflect upon this a little bit more. Firstly, we changed all our reformers to ones built to the traditional size, shape, springs etc. and started to understand the traditional repertoire a little better. it dawned on me that the frame of the reformer is like the mat, it is the frame for the work, and you don’t move beyond it (unless you’re doing a step-off into arabesque – you know, the everyday beginner stuff….). And it really makes sense. Secondly, we replaced the floor of our mat space with dojo type wall-to-wall flooring, meaning that the whole floor is a mat, and an actual mat became optional. Given that we like rolling around on the floor it’s a great improvement on the thin nylon carpet we used to have. But I’m beginning to see that, for Pilates, it may not be so great not to have a mat.

Just like the reformer, I think mat Pilates needs a frame. It’s a way of imposing discipline. I was listening to an episode of the Tim Ferriss show a while back with a guest called Jocko Willink (subtitle ‘the Scariest Navy Seal Imaginable’) in which he talks about discipline:

Although discipline demands control and asceticism, it actually results in freedom. When you have the discipline to get up early, you are rewarded with more free time. When you have the discipline to keep your helmet and body armor on in the field, you become accustomed to it and can move freely in it. The more discipline you have to work out, train your body physically and become stronger, the lighter your gear feels and the easier you can move around in it.”

These words are obviously heavily slanted toward combat troops, but the underlying observation is the key – discipline = freedom. And Pilates needs/is a discipline.

When you do Pilates you are required to display some discipline, ‘contrology’, one might say. And that’s what can set you free. Proper execution of the exercises and the self-control of working within the defined space creates the power and control that liberates us when we get off the mat/reformer and engage in real life, whether that’s breakdancing, gardening, marathon running, or just going to the shops.